

In addition, digital mammographic artifacts depend on detector technology (direct vs indirect) and therefore can be vendor specific.

#Artifact digital software
Although some of these artifacts are similar to those seen with screen-film mammography, many are unique to digital mammography-specifically, those due to software processing errors or digital detector deficiencies. Commonly encountered artifacts include patient-related artifacts (motion artifact, antiperspirant artifact, thin breast artifact), hardware-related artifacts (field inhomogeneity, detector-associated artifacts, collimator misalignment, underexposure, grid lines, grid misplacement, vibration artifact), and software processing artifacts (“breast-within-a-breast” artifact, vertical processing bars, loss of edge, high-density artifacts). However, many radiologists and technologists are unfamiliar with artifacts that are commonly seen with this modality, and recognizing these artifacts is critical for optimizing image quality. She is interested in studying various types of art from ancient art to the digital.The recent introduction of digital mammography represents a significant technologic advance in breast imaging. She served as an Art Curator and Editor for Issue No. This informative piece relates digital art to the traditional art world of museums and galleries, drawing comparisons between digital and physical art spaces.įrances Gichner is a senior majoring in Classical Civilizations with minors in Anthropology, Archaeology, Art History, and Visual Media Arts Practice. It describes early digital art pieces and the digital landscape surrounding them. The Demise of Net.Art: A Look At Artifacts Past (2013) is an essay about early digital art. These fractured remains, preserved in the Digital America archives tell us about the memorial that previously existed. In Memoriam (2014) was an interactive memorial to the victims of mass shootings, but the website that housed the project is no longer available.
#Artifact digital plus
Comes on heavy 180 g vinyl and includes 4 double-sided art prints that can be connected and reveal a huge artwork Includes unlimited streaming of Artifact via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. This piece speaks to the longevity and relevance of the digital artifact, specifically on social media platforms. Limited 12' vinyl (splatter vinyl, re-press)Record/Vinyl + Digital Album. An art piece encrypted with information, this piece was designed to intentionally to be a digital artifact-preserving sensitive information to be accessed in the future.ĭigital Tattoo (2013) is an essay that discusses how images and information published on social media stay attached to an online profile like digital scars or tattoos.
#Artifact digital series
The series questions the usefulness and information provided by a digitized artifact through the invention of these “alternative” artifacts.Įndangered Data (2018) was designed to preserves sensitive data, but it requires a unique algorithm to retrieve the information. Below are links to pieces, we hope you enjoy.Īlternative Artifact (2017) is a series of digitally fabricated images of objects with “indeterminable origin” in a style that mimics traditional museum archival photos. This collection pulls together five pieces that address the concept of the “digital artifact.” In addition, the collection itself is comprised of “artifacts” pulled from the Digital America archive. But what makes an “artifact” in a digital space? While there are many pieces of net.art, several mentioned in Murakami’s piece, that have become outdated or that are no longer supported by their respective platforms, the study of these “digital artifacts” remains under-explored. Just like the physical, digital data can become dated and obsolete. The possibility for net.art died with this transition.” ( The Demise of Net.Art: A Look at Artifacts Past, 2013) Rather than a horizontal arrangement of self-published information, the net is now segmented into Facebook, Twitter, YouTube, Wikipedia, Pinterest, Flickr–A list of commercial entities catering to a specific consumer need entities whose content-creation, despite being open to all, is filtered through algorithms based upon their mass-determined attention capital. We see the Internet as an opaque interface that is navigated by mouse or, hell, even finger – the network is synonymous with the plastic block through which we access it. We now check BuzzFeed or Tumblr on our phones without even processing that we’ve entered an entirely virtual realm. “I am not asking about replacing objects with digital replicas, but asking about the creation of independent digital objects. In an increasingly digital world what is happening to the artifact? Essays, art, and digital histories all exist online, in a space independent from the physical realm.
